Monthly Archives: April 2012

Physics for Lamons (Kinetic and Potential Energy)

Physics is the study of energy’s capability’s and utilization. The containment of energy is essential to powering devices. Containing nuclear energy will be the next large progression for humans to make. Energies are classified and referred to as either kinetic or potential. Kinetic energy is when an object is in motion and has a trajectory and the impact can be calculated. Potential energy is when an object remains in a non-moving position and when released, exerts force.

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Physics are relevant to human’s daily motions as well as human endurance. To merely move causes energy, and therefore incorporates physics into everyday living. The reason for exhaustion is that a body is charged by electrodes and when the charges are ignited (motions are made) the same electrodes remain in the body even after motions. Stimulants such as electrolytes are added into consumable products for people who are overly-active such as athletes. If no electrolytes were to stimulate the body of athletes, then fatigue at a faster rate could be proven.

Constriction of molecules boosts potential energy. When particles (molecules) are closer together, then the release of the object (group of particles) is heavier in any state of liquid, gas, or solid; in contrast to a loosely combined molecular structure, where the object will be less dense and not travel as fast in any state of matter. In order to make a potential energy greater, an engineer must consider hosting the molecules inside of a light-weighted body with dynamics to accommodate speed, which can equate to force and impact, in the ideal state of matter (liquid, gas, or solid). Therefore, potential energy, when engineered can be made more powerful by scientific calculation and choice of molecular make up of the object (some molecules are more dense than others), and when the energy moves into kinetic classifications, atmospheric and environmental factors, such as wind, can alter projections of the potential energy.

Kinetic energies are made stronger by force. As soon as an object has been released as a trajectory or wave form, then the traveling energies are considered kinetic or in motion. Force proves to be essential to kinetic energy. If objects are thrown horizontally through the air, then the speed of release and size and density of the object must be known in order to establish a kinetic energy. The speed of the ball traveling can be altered by environmental factors such as wind blowing; either to make a greater impact or a more dull impact. In contrast to potential energy, kinetic energy focuses on an in-route impact to an object created by a force of release, while potential energies focus on the prelude (designing and inclusions to the propelled structure) to release rather than the dynamics of the moving object or wave.

Impact can be algorithmically calculated in reverse (algebraically) to find the energy that was potential.  The molecular structure can also change the impact and trajectory of an object. Atoms such as helium are lighter than the compound of water (hydrogen and oxygen). When compounds are formed and classified as solid metals and weigh more than water, the object sinks. If an object outweighs the water and consist of a light core, such as hydrogen or helium, the object can stay afloat because the support of the lightweight molecular core of the object accommodates the liquid. In order for a dense object to float in water, the core’s lightweight molecules must be retained fully without leakage, regardless if the molecules are loose of compacted.

Propulsion is necessary to kinetic energy because without a release of an object, the energy remains potential.

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The Seasoned Writer

Culture within an atmosphere dictates an observation. Meaning that the interactions of people vary from place to place and people’s actions depend on what resources and leisure are available in a particular region. In the study of sociology, people’s interactions and communications are key. People communicate differently according to race, location, heritage, financial status, and health. Often times, when people interact with people that have nothing in common, then the communication is undesired. The same does not go for writing.

Developing a writing style can enable a writer to diversify the content of his content. For example, when an author chooses to be a non-fiction novelists, he has a certain pride he takes in the way he intrigues the listener, maybe with personification, or palatable word choice. When the non-fiction writer has developed a seasoned writing style, he can incorporate his palatable word choice and personification into a fiction novel the same way a rich person could communicate with the poor.

Choosing to be a writer can be a dedicated and subsiding decision. Knowing the potency of a readers intrigue being satisfied may inspire a writer or the writer can merely enjoy the accomplishment of publication; being able to refer to an idea or the capturing of a thought during his reflection at reading. Writers gain inspiration at many inconvenient times to the writer and reading a reflection of his own conceiving can be instant gratification to the writer’s aspirations.

Being a seasoned writer can be determined by the reader’s interpretations. Just because a reader does not identify with a writer’s content does not mean the reader does not acknowledge the significance of the writing. Being a writer can make a distinction to one’s personal direction especially when writing of different things. To be able to write of an observation without conveying an omniscience can be the expertise of a fiction writer while the non-fiction novelist creates a perception for the reader to develop, based on facts and scientific possibilities.

So in any season, the seasoned writer can adapt to environments and convey his point as purpose. Many great writers remain unseasoned because of their taste was so channeled.

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Shorftall of Intention

I disagree with the intro; consumers ultimately buy the artist, the music’s strictly intrigue. Conner needs to find some originality, because conclusively, he’s not something that people want to be. He touches on the elite’s minimal observations and still conveys to be a mere peasant. The rapper’s being too common as appearing to be wanting something he shouldnt rightfully attain; listen to the content as the rapper explains his deservedness to be acknowledged. The insight remains minimal. Longevitably, the man will sound redundant because his repertoire consist of the same desired entitlements and lacks the intrigue sought to the global consumer and domestic rap critic and expert.

Many times, bombardments of words and rhymes, in a genre of trend-chasing (rap/hip-hop), can intrigue an amateur writer or rap fan, while the listener does not receive the desire to be the rapper, more so wants to not see the rapper in person. The person sells, music is merely intrigue; concluding J. Conner will not be a superstar, not capture the money of the international nor domestic (American) consumer.

People who classify with J. Conner’s music, non-elite without capability to be an elitist, can identify with such minimally insightful music, while the greater digress a divulge.

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